Dubliners is a collection of vignettes of Dublin life at the end of the 19th Century written, by Joyce’s own admission, in a manner that captures some of the unhappiest moments of life. Some of the dominant themes include lost innocence, missed opportunities and an inability to escape one’s circumstances. Joyce’s intention in writing Dubliners, in his own words, was to write a chapter of the moral history of his country, and he chose Dublin for the scene because that city seemed to him to be the centre of paralysis. He tried to present the stories under four different aspects: childhood, adolescence, maturity and public life. ‘The Sisters’, ‘An Encounter’ and ‘Araby’ are stories from childhood. ‘Eveline’, ‘After the Race’, ‘Two Gallants’ and ‘The Boarding House’ are stories from adolescence. ‘A Little Cloud’, ‘Counterparts’, ‘Clay’ and ‘A Painful Case’ are all stories concerned with mature life. Stories from public life are ‘Ivy Day in the Committee Room’ and ‘A Mother and Grace’. ‘The Dead’ is the last story in the collection and probably Joyce’s greatest. It stands alone and, as the title would indicate, is concerned with death. ---------- Contains [Sisters](https://openlibrary.org/works/OL15073389W/The_Sisters) [Encounter](https://openlibrary.org/works/OL15073256W) [Araby](https://openlibrary.org/works/OL20570121W) [Eveline](https://openlibrary.org/works/OL15073302W) [After the Race](https://openlibrary.org/works/OL18179262W) [Two Gallants](https://openlibrary.org/works/OL20570300W) [Boarding House](https://openlibrary.org/works/OL15073259W/The_Boarding_House) [Little Cloud](https://openlibrary.org/works/OL18179222W) [Counterparts](https://openlibrary.org/works/OL20570464W) [Clay](https://openlibrary.org/works/OL18179205W) [A Painful Case](https://openlibrary.org/works/OL5213767W) [Ivy Day In the Committee Room](https://openlibrary.org/works/OL20571820W) [Mother](https://openlibrary.org/works/OL18179244W) [Grace](https://openlibrary.org/works/OL15073323W) [Dead](https://openlibrary.org/works/OL15073437W/The_Dead) ---------- Also contained in: - [Dubliners / Portrait of the Artist as a Young Man](https://openlibrary.org/works/OL15073371W/Dubliners_Portrait_of_the_Artist_as_a_Young_Man) - [Essential James Joyce](https://openlibrary.org/works/OL86338W/The_Essential_James_Joyce) - [Portable James Joyce](https://openlibrary.org/works/OL86334W/The_Portable_James_Joyce)

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London is one of the world’s leading cities. It is home to an extraordinary concentration and diversity of people, industries, politics, religions and ideas, and plays an important role in our highly globalised and tightly networked modern world.What does the future hold for London? Investigating any aspect of the city’s future reveals a complex picture of interrelations and dependencies. The London 2062 Programme from University College London brings a new, cross-disciplinary and highly collaborative approach to investigating this complexity. The programme crosses departmental boundaries within the university, and promotes active collaboration between leading academics and those who shape London through policy and practice. This book approaches the question of London’s future by considering the city in terms of Connections, Things, Power and Dreams.

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London is one of the world’s leading cities. It is home to an extraordinary concentration and diversity of people, industries, politics, religions and ideas, and plays an important role in our highly globalised and tightly networked modern world.What does the future hold for London? Investigating any aspect of the city’s future reveals a complex picture of interrelations and dependencies. The London 2062 Programme from University College London brings a new, cross-disciplinary and highly collaborative approach to investigating this complexity. The programme crosses departmental boundaries within the university, and promotes active collaboration between leading academics and those who shape London through policy and practice. This book approaches the question of London’s future by considering the city in terms of Connections, Things, Power and Dreams.

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London is one of the world’s leading cities. It is home to an extraordinary concentration and diversity of people, industries, politics, religions and ideas, and plays an important role in our highly globalised and tightly networked modern world.What does the future hold for London? Investigating any aspect of the city’s future reveals a complex picture of interrelations and dependencies. The London 2062 Programme from University College London brings a new, cross-disciplinary and highly collaborative approach to investigating this complexity. The programme crosses departmental boundaries within the university, and promotes active collaboration between leading academics and those who shape London through policy and practice. This book approaches the question of London’s future by considering the city in terms of Connections, Things, Power and Dreams.

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A literary landmark in its groundbreaking approach, as well as a priceless document of its age One of the most ambitious narratives of nineteenth-century realism, "Middlemarch" tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies. Eliot's sophisticated and acute characterization gives rich expression to every nuance of feeling, and vividly brings to life the town's inhabitants--including the young idealist Dorothea Brooke, the dry scholar Casaubon, the young, passionate reformist doctor Lydgate, the flighty young beauty Rosamond, and the old, secretive banker Bulstrode--as they move in counterpoint to each other. Art, religion, politics, society, science, human relationships in all their complexity--nothing is left unexamined under the narrator's microscope. Also included in this edition are pictures and an extensive section on George Eliot's life and works.

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Kate Douglas Wiggin's beloved classic of children's literature was an immediate bestseller when it was first published in 1903. The author spent part of her childhood in rural Maine, where Kate Douglas Wiggin sets the book. The optimistic and spirited main character, Rebecca Rowena Randall is sent to live with her two strict and dour aunts in the fictional town of Riverboro, Maine. Though she is, according to her aunts, more like her shiftless father than her accomplished mother, Rebecca's joy of life, in the end, inspires them. The enormously popular story was adapted for a Broadway play in 1907, and was made into several films, including a 1938 version starring Shirley Temple. Wiggin spent her life dedicated to children's welfare. She headed the first free kindergarten in California, in the slums of San Francisco, and established a kindergarten teachers' training school with her sister. Her writing career, which began as a means of raising money for her school, spanned four decades. After the death of her first husband in 1889, she relocated back to Maine, where her summer home in Hollis is now the home to the town's Salmon Falls Library.

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Kate Douglas Wiggin's beloved classic of children's literature was an immediate bestseller when it was first published in 1903. The author spent part of her childhood in rural Maine, where Kate Douglas Wiggin sets the book. The optimistic and spirited main character, Rebecca Rowena Randall is sent to live with her two strict and dour aunts in the fictional town of Riverboro, Maine. Though she is, according to her aunts, more like her shiftless father than her accomplished mother, Rebecca's joy of life, in the end, inspires them. The enormously popular story was adapted for a Broadway play in 1907, and was made into several films, including a 1938 version starring Shirley Temple. Wiggin spent her life dedicated to children's welfare. She headed the first free kindergarten in California, in the slums of San Francisco, and established a kindergarten teachers' training school with her sister. Her writing career, which began as a means of raising money for her school, spanned four decades. After the death of her first husband in 1889, she relocated back to Maine, where her summer home in Hollis is now the home to the town's Salmon Falls Library.

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When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.' The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A CLASSIC IN AMERICAN POETRY... When "Spoon River Anthology" was published in 1915 it garnered immediate national attention for its truth and its shocking transgression of societal mores. A collection of poems from the graveyard of a rural Illinois town, "Spoon River Anthology" poignantly captures the politics, love, betrayals, alliances, hopes, and failures of this small American town. Here is the respected doctor, jailed for swindling; here is the chaste wife, rapt with desire; here is the pastor, angry and resentful; here is the quiet man, filled with unrequited love and devotion. Beneath the midwestern values of honesty, community, family, hard work, and chastity, "Spoon River Anthology" reveals the disillusionment and corruption in modern life. With the publication of "Spoon River Anthology" Masters exploded the powerful myth that small-town America was a social utopia. Here for the first time was a community that people recognized in its wholeness and complexity. Comprised of distinctly modern poems that collectively read as a novel, "Spoon River Anthology" is the story of a quiet midwestern town whose truths and contradictions are celebrated by its dead.

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Sunshine Sketches of a Little Town is a sequence of stories by Stephen Leacock, first published in 1912. It is generally considered to be one of the most enduring classics of Canadian humorous literature. The fictional setting for these stories is Mariposa, a small town on the shore of Lake Wissanotti. Although drawn from his experiences in Orillia, Ontario, Leacock writes in the introduction: "Mariposa is not a real town. On the contrary, it is about seventy or eighty of them. You may find them all the way from Lake Superior to the sea, with the same square streets and the same maple trees and the same churches and hotels." This work has remained popular for its universal appeal. Many of the characters, though modeled on townspeople of Orillia, are small town archetypes. Their shortcomings and weaknesses are presented in a humorous but affectionate way.

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Fifteen years after the end of a protracted civil and regional war, Beirut broke out in violence once again, forcing residents to contend with many forms of insecurity, amid an often violent political and economic landscape. Providing a picture of what ordinary life is like for urban dwellers surviving sectarian violence, The Insecure City captures the day-to-day experiences of citizens of Beirut moving through a war-torn landscape.

While living in Beirut, Kristin Monroe conducted interviews with a diverse group of residents of the city. She found that when people spoke about getting around in Beirut, they were also expressing larger concerns about social, political, and economic life. It was not only violence that threatened Beirut’s ordinary residents, but also class dynamics that made life even more precarious. For instance, the installation of checkpoints and the rerouting of traffic—set up for the security of the elite—forced the less fortunate to alter their lives in ways that made them more at risk. Similarly, the ability to pass through security blockades often had to do with an individual’s visible markers of class, such as clothing, hairstyle, and type of car. Monroe examines how understandings and practices of spatial mobility in the city reflect social differences, and how such experiences led residents to be bitterly critical of their government.

In The Insecure City, Monroe takes urban anthropology in a new and meaningful direction, discussing traffic in the Middle East to show that when people move through Beirut they are experiencing the intersection of citizen and state, of the more and less privileged, and, in general, the city’s politically polarized geography.

Print edition available from Rutgers University Press.

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Fifteen years after the end of a protracted civil and regional war, Beirut broke out in violence once again, forcing residents to contend with many forms of insecurity, amid an often violent political and economic landscape. Providing a picture of what ordinary life is like for urban dwellers surviving sectarian violence, The Insecure City captures the day-to-day experiences of citizens of Beirut moving through a war-torn landscape.

While living in Beirut, Kristin Monroe conducted interviews with a diverse group of residents of the city. She found that when people spoke about getting around in Beirut, they were also expressing larger concerns about social, political, and economic life. It was not only violence that threatened Beirut’s ordinary residents, but also class dynamics that made life even more precarious. For instance, the installation of checkpoints and the rerouting of traffic—set up for the security of the elite—forced the less fortunate to alter their lives in ways that made them more at risk. Similarly, the ability to pass through security blockades often had to do with an individual’s visible markers of class, such as clothing, hairstyle, and type of car. Monroe examines how understandings and practices of spatial mobility in the city reflect social differences, and how such experiences led residents to be bitterly critical of their government.

In The Insecure City, Monroe takes urban anthropology in a new and meaningful direction, discussing traffic in the Middle East to show that when people move through Beirut they are experiencing the intersection of citizen and state, of the more and less privileged, and, in general, the city’s politically polarized geography.

Print edition available from Rutgers University Press.

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Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

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